Italian school of the 18th century. After GUIDO RENI (Calvenzano di Vergato, Bologna, 1575 - Bologna, 1642). "Aurora". Oil on canvas. Re-coloured. Size: 315 x 138,5 cm; 336 x 161 cm (frame). This canvas is a faithful continuation of the Baroque ceiling fresco painted in 1614 by Guido Reni for the Casino, or garden hoe, adjacent to the Palazzo Pallavicini-Rospigliosi, in Rome. The paintings in the Palazzo Pallavicini-Rospigliosi weremissioned by Cardinal Scipione Borghese, a prominent patron of the arts, and designed by Giorgio Vasanzio and Carlo Maderno. Th, we are faced with the representation of Aurora, a work determined by the classical beauty that characterised the Roman-Bolognese master, worked in a sober style that imitates the poses of the ancient Roman sarcophagi exhibited in the Cardinal's collection. The undisputed master of Roman-Bolognese classicism alongside Albani and Domenichino, Guido Reni was undoubtedly the best of the three. Closely linked to the Carracci family and to the city of Bologna, they all had a similar career. They trained in Bologna with Denys Calvaert, and then went on to the Accademia degli Incamminati, directed by Ludovico Carraci. In 1600 Reni arrived in Rome, where he worked with Annibale Carracci in the Galleria Farnese. His best period began in these years; in 1609, on Annibale's death, Reni became the head of the classicist school. In the city he was the protégé of Scipione Borghese, the future Pope Paul V, for whom the painter produced one of his most important works, "La Aurora" (Palazzo Rospigliosi). It reveals something that would always be characteristic of Reni's style, his admiration for ancient sculpture. Starting from classical statues, he developed an ideal of beauty and perfection that would be greatly admired by subsequent painters. In 1614 he returned to Bologna for good. Reni's style evolved in a clear direction, bing more and more sculptural and cold, more and more fully classicist. His mature work was characterised by a cold, silvery palette. Finally, from the 1930s onwards, his style became sketchy, with an unfinished appearance and a tendency towards monochrome, of great interest from a technical as well as a formal point of view.Guido Reni is currently represented in the most important art galleries all over the world, including the Prado Meum, the Hermitage, the Louvre, the Metropolitan Meum in New York and the National Gallery in London, among many others.Dimensions: 315 x 138,5 cm; 336 x 161 cm (frame).