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Home > Auction >  Fine and Decorative Arts - Antiques >  Lot.703 RUDOLF SEEMANN - PAINTING

LOT 703 RUDOLF SEEMANN - PAINTING

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Auktionshaus Rheine

Fine and Decorative Arts - Antiques

Auktionshaus Rheine

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SEEMANN, RUDOLF (Frankfurt / Oder 1906-1977 Rheine), painting: "Port of Hamburg", oil on canvas, signed lower right "Seemann" and dated 1946. Hamburg harbor with tugs, sailing ship, steamship, cranes and view of the Michel in the hazy light and summary, impasto painting style. Seemann, a doctor of law and a doctor of economics (Dr. jur. et Dr. rer. pol. Seemann), was already working artistically during his time as a successful lawyer in Berlin and was influenced primarily by Expressionism. "At that time he could have exhibited at the Buchholz Gallery on Leipziger Strasse, but that would have meant that the Nazis would have chalked up his "degenerate art" to him, even as a lawyer." In the postwar period, he then devoted himself entirely to painting and "painted the bomb nights and rubble cities off his soul," but then also worked "as he calls it, 'eternal motifs' ... (which) are also 'beautiful' according to customary national terms." ("Der Spiegel" of May 1, 1948). Canvas 58 x 78.5 cm.SEEMANN, RUDOLF (Frankfurt / Oder 1906-1977 Rheine), Gemälde: "Hafen Hamburg", Öl auf Leinwand, unten rechts signiert "Seemann" und datiert 1946. Hamburger Hafen mit Schleppern, Segelschiff, Dampfschiff, Kränen und Blick auf den Michel im dunstigen Licht, gearbeitet in summarischer, pastoser Malweise. Seemann, promovierter Jurist und promovierter Volkswirtschaftler (Dr. jur. et Dr. rer. pol. Seemann), arbeitete schon während seiner Zeit als erfolgreicher Jurist in Berlin künstlerisch und ließ sich vor allem vom Expressionismus beeinflussen. "Damals hätte er in der Galerie Buchholz auf der Leipziger Straße ausstellen können, aber das würde bedeutet haben, daß die Nazis ihm seine "entartete Kunst" auch als Rechtsanwalt angekreidet hätten". In der Nachkriegszeit verschrieb er sich dann ganz der Malerei und hat "sich die Bombennächte und Trümmerstädte von der Seele heruntergemalt", arbeitete dann aber auch "wie er es nennt, 'ewige Motive' ... (die) auch nach landesüblichen Begriffen 'schön' sind." ("Der Spiegel" vom 1. Mai 1948). Leinwand 58 x 78,5 cm.

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Rheine, NRW, DE

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