LOT 0398 A LARGE GILT REPOUSSE FIGURE OF BUDDHA, 15TH-16TH
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A LARGE GILT COPPER REPOUSSE FIGURE OF BUDDHA, 15TH-16TH CENTURY Nepal. Finely modeled standing atop a double lotus base in front of a finely chiseled flaming mandorla. Wearing long flowing robes neatly hemmed with floral and foliate scroll. Holding a khakkhara with stupa finial in his right hand and an alms bowl in his left. The serene face with heavy-lidded eyes below gently arched eyebrows centered by an urna, flanked by long earlobes. Inscription: The lower edge bears a donor inscription, partially illegible due to corrosion and soil encrustation, which was added during the 19th century. Provenance: From a French private collection. Condition: Extensive wear, some corrosion, encrustations, warping, minor losses, holes, some with rusty nails still in place, dents. Fine, dark, naturally grown patina with areas of malachite encrustation. Weight: 1,685 g (excl. stand) Dimensions: Height 51 cm (excl. stand) and 54 cm (incl. stand) With an associated wood stand. (2) Auction result comparison: Compare a gilt copper repousse panel of a bodhisattva, dated 14th-15th century, at Bonhams New York in Indian, Himalayan & Southeast Asian Art on 14 March 2016, lot 22, bought-in at an estimate of USD 30,000-50,000. Compare also a related gilt copper repousse figure of a bodhisattva, also dated 15th-16th century, at Bonhams London in Fine Chinese Art on 7 November 2019, lot 15, sold for GBP 25,062 (part-lot, together with another slightly larger gilt copper repousse figure of a bodhisattva). 十五至十六世紀大型鎏金銅錘揲佛像 尼泊爾。佛陀站在一個雙層蓮座上,身後有火焰光背,造型精美。佛陀身著天衣,花卉紋飾。右手拿著一個錫杖,左手拿著一個布施缽。面容平靜,雙眼緊閉,眉毛輕輕拱起,兩枚之間可見白毫,長耳垂。 款識:下邊緣帶有捐贈者銘文,由於腐蝕和土壤結殼,部分難以辨認,應該是十九世紀添加的。 來源:法國私人收藏。 品相:大面積磨損,腹部腐蝕,結殼,翹曲,輕微缺損失,小孔,一些生鏽的釘子,凹痕。細膩的自然包漿,孔雀石綠色結殼區域。 重量:1,685 克 (不含底座) 尺寸:高 51 厘米 (不含底座) ,縂54 厘米 相配木底座 (2) 拍賣結果比較:一件十四至十五世紀銅鎏金錘揲菩薩,見紐約邦翰思 Indian, Himalayan & Southeast Asian Art 2016年3月14日 lot 22, 估價USD 30,000-50,000;另一件相近十五至十六世紀銅鎏金錘揲菩薩像,見倫敦邦翰思Fine Chinese Art 2019年11月7日 lot 15, 售價GBP 25,062 (該拍品組中的一件,另一件為大型銅鎏金錘揲菩薩像)。
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