Landscape after Huang ngwangHanging scroll, ink and color on paper, inscribed by the artist and signed Chen Chongguang with two artist's seals Ruomu and Chen Chongguang.59 x 15 1/2in (151 x 39.4cm) 陳崇光 仿黃公望山水 設色紙本 立軸Provenance/來源:Far East Fine Arts, San Francisco, California, 7 May 1988加州舊金山遠東藝術中心，1988年5月7日Jiangsu Wenwu Shangdian (label to scroll head)軸頭附江蘇文物商店標籤Published/出版:Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-97, p. 210戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大學出版會，東京，2013年，A50-97，頁210Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection. Honolulu: Honolulu Academy of Arts, 2007, pp. 154-155.Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the Thunder and the Rain: Chinese Paintings from the Opium War Through the Cultural Revolution, 1840-1979. San Francisco: Echo Rock Ventures, in association with the Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, 2000, p. 37Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術博物館，李鐘文亞洲藝術文化中心，舊金山，加州，2000年，頁37Exhibited/展覽:New Songs on Ancient Tunes, Honolulu Art Academy, Honolulu, Hawaii, August 30-October 28, 2007.Between the Thunder and the Rain, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, CA October 25, 2000-January 14, 2001《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術博物館，舊金山，加州，2000年10月25日至2001年1月14日Chen Chongguang was a well-known artist in Yangzhou in the late 19th century. Many of his extant landscapes demonstrate the influence of the late Ming/Early Qing monk artist Shitao. Chen Chongguang had a major influence on Huang Binhong, and it is through Huang Binhong's writings that we learn much about the older artist's life and work. See Fu Shen Studies in Connoisseurship, Princeton, pp.338-339, and Qiu Wen "Huang Binhong yu Chen Jo-mu" Yilin Conglu, Hong Kong, 1966, vol 6, pp 274-281.本幅作者陳崇光於19世紀晚期畫名頗盛，為當時揚州大家之一。其傳世山水多有明末清初畫僧石濤之風。陳崇光對黃賓虹影響頗深，其晚年行止作品亦可見於黃賓虹著述。另可參見傅申《沙可樂藏畫研究》，普林斯頓，頁338-339，及裘溫〈黃賓虹與陳若木〉，《藝林叢錄》，香港，1966，卷6，頁274-281.