LOT 430 金马
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H8cm Wt.180g
附贵金属成分分析证书,含金量 75.11% 马以金浇铸而成,低首端立,马首饱满,竖耳鼓目,鼻孔撑大,张嘴咬牙,似正喘息。颈部数缕鬃毛顺势披散而下,身躯肌肉起伏,线条圆润,表现出马的肥硕与健壮。背上饰有马鞍,短尾上卷,形象生动逼真,做工细腻,身躯及马鞍皆錾刻精细花纹,纹饰华美富丽,格调高雅。整体黄金亮丽的光泽相得益彰,且造形虽小,却有尽致之态,令人顿感惊艳。 中国采掘黄金始于夏朝,盛于唐代,每件巧夺天工的金银器传世之作,都凝聚古人的智慧与灵感,更透出朝代的繁华与发展。金银器设计主要取材于权贵现实生活或活动场面,如《明皇杂录》曾详细记载李隆基用舞马祝寿的情节;开元年间,宰相张说《舞马千秋万岁乐府词》:「圣皇至德与天齐,天马来仪自海西。腕足徐行拜两膝⋯更有衔杯终宴曲,垂头掉尾醉如泥」。 明《格古要论》及《天工开物》谓金品:「七青、八黄、九紫、十赤」,当时已了解黄金与其它金属熔融后,成色产生的差异。唐代,赤金含金量约90%,而金银合金的含金量仅约30%。本品含金量高达75%,成色极佳,施以精湛工艺化为华美的马形艺术品,蕴含着历史与文化价值,隐隐散发夺目光芒。 A GOLDEN HORSE TANG DYNASTY EXHIBITED The Beauty of Gold & Silver Craftsmanship, National Museum of History, Taipei, 16 January to 8 February 2009 LITERATURE The Beauty of Gold & Silver Craftsmanship, National Museum of History, Taipei, 2008, P.107 Accompanied by precious metal analysis report stating that the object contains 75.11% gold
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6月13-19日 10:00am-6:00pm (6月20日 10:00am-4:00pm)
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台北市重庆南路二段15号7楼 (中华文化总会大楼)
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