A SUPERB AND RARE IMPERIAL BEIJING ENAMEL CIRCULAR DISH Kangxi red enamel yuzhi four-character mark and of the period (2)PROPERTY FROM THE CHENYUEZHAI COLLECTION (LOTS 23-29)塵月齋藏品 (拍品編號23-29）A SUPERB AND RARE IMPERIAL BEIJING ENAMEL CIRCULAR DISHKangxi red enamel yuzhi four-character mark and of the periodOf shallow circular form with a slightly convex centre on a short foot, exquisitely painted with a pair of butterflies flying amidst stylised floral scrolls on yellow ground, the exterior with a band of continuous foliate branches on a brown ground, the base with the four-character red-enamel reign mark, box. 9.5cm (3 3/4in) diam. (2).清康熙 銅胎畫琺瑯黃地喜相逢小碟紅彩「康熙御製」楷書款Provenance:The Chenyuezhai Collection來源：塵月齋收藏The rich colour palette and the delicacy of the multi-coloured butterflies design employed to decorate this exquisite dish demonstrate the superb craftsmanship of the Imperial Palace Workshops in Beijing, the Zaobanchu, and the extraordinary skill of the painters in rendering naturalistic butterflies onto small works of art. The present lot also displays western influence bearing witness to the cross-fertilisation of Asian and Western cultures at the Imperial Court.Painted enamel, first introduced during the Kangxi reign by foreign missionaries, became a defining art form of the period, in quality, innovation and unsurpassed opulence. See a Beijing enamel dish with a similar design in the Qing Court Collection, illustrated in the Compendium of Collections in the Palace Museum: Enamels, Beijing, 2011, no.29.銅胎，口沿露胎，黃地繪二彩蝶展翅，間以蘭花等花卉，外壁繪褐地，彩繪纏枝花葉紋，矮圈足，足內白地，書粉紅料「康熙御製」四字方框楷書款，充滿皇家氣象，十分華麗。畫琺瑯由康熙年間的傳教士傳來中土，在康熙、雍正及乾隆三朝成為極具代表性的宮廷藝術。此件小碟乃中西結合的典範，從其裝飾紋飾以及色彩運用上均明顯展示了中西文化上的交流，以及清宮對外洋奇巧的擁簇。碟上所飾蝴蝶紋是吸收了西洋文化後在中國的應用，畫風更為寫生，線條奔放，色彩調諧，洋溢著西方畫風，同時亦體現了清宮造辦處畫琺瑯工匠之高超技藝。穿花彩蝶又稱喜相逢，康熙朝以來銅胎畫琺瑯常有裝飾。北京故宮藏一件清康熙銅胎畫琺瑯蓮瓣式盤盤心所繪黃地喜相逢紋樣同本件頗似，見《故宮博物院藏品大系·琺瑯器編》，北京，2011年，編號29。