AN OTOMAN PRAYER BOOK, INCLUDING THE CHAIN OF NAKSIBANDI ORDER 19TH CENTURY( include chain of Naksibandi order, silsiletu’l Nakshibandi)19th century,Anatolia Arabic and Ottoman Turkish manuscript on paper, 47ff., 15ll. of black naskh script, gold roundels between verses, text in thick gold rules, headings in red naskh both sides with gold roundels, opening heading in gold dome-like design, gilted and tooled brown leateher binding with flapFolio 19,6 x13 cmText 13,3 x 7,5 cmNote;in our manuscript’s era the last chain of Nakshibandi is  HAMZA NİGARİ (Ḥamza Negāri) Ḥāji Mir Ḥamza Efendi b. Mir Pāšā, Sufi and poet from Azerbaijan, who wrote in both Persian and Turkish (1220 or 1230-1304/1805 or 1815-1886). After visiting Rumi’s tomb in Konya and performing the pilgrimage to Mecca, he returned to Qarābāḡ to propagate Naqšbandiya-Ḵālediya Sufism on behalf of Esmāʿil ŠirvāniNegāri’s penname derives from an ideal beloved (negār) of whom he once dreamed, but it was only after his initiation into Sufism that he began to write poetry. His Persian poetry (Divān, Istanbul, 1301/1884 and 1329/1911), which is strongly influenced by the works of Rumi, Jāmi and Ḥāfeẓ, is of mediocre quality, while his Turkish verse is influenced by the poetry of Fożūli. He wrote two maṯnawisin Turkish, the Negār-nāma (Istanbul, 1305/1887), a didactic Sufi work, and the Čāy-nāma (Istanbul, n.d.), which is a celebration of the qualities of tea, modeled on Fożūli’s Bang-o bāda (Hashish and Wine).