LOT 0293 1967 FOUR ARTISTS FRAMED PAINTING
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ARTIST(s): Ye GongChao, Ou HaoNian, Jiang zhaoShen, Huang JunBi ink and color on paper, framed. Dimensions: Frame: 61"H x 30"W, Painting: 42 1/2"H x 19 1/4" W Signed/Seal(s): artists seals Dated in the spring of Dingwei year (1967) Gift for General Yu Bindong's wife PROVENANCE: Estate Collections of GENERAL YU BINDONG 俞濱東 (1903-1990) (AKA: 天宾) R.O.C. Presidential Palace Third Class of Major Generals, Director of Assistant Commissioner, Official bodyguard, Security guard brigade commander of the building controls, the affairs of state, presidential palace Internal business, printing and engraving branch. For more information about General Yu Bingdong 俞濱東, please follow this link: www.eden-galleries.com/yubindong/ Video Documentation on Youtube: https://youtu.be/W_mn9iHjgMY Video Documentation on Youku (China): https://v.youku.com/v_show/id_XNDUxMzY4NzcwOA==.html The collections of General Yu Bingdong 俞濱東 presented and offered up to auctions: ON DAY-1: From Lot-125 through Lot-152, and continued from Lot-269 through Lot-296. ON DAY-2: from Lot-448 through Lot-487, and continued from Lot-620 through Lot-760. LOT NOTES: George Kung-chao Yeh, also known as Yeh Kung-chao and Ye Gongchao ???; (1904-1981), was a diplomat and politician of the Republic of China. Educated in the U.S. and the U.K., he graduated from Amherst College in 1925 and later Cambridge University. He taught English literature at Beijing's Tsinghua University, where his students included Qian Zhongshu. He was the first Minister of Foreign Affairs since 1949. During his tenure, he signed the Sino-Japanese Peace Treaty in 1952 and the Sino-American Mutual Defense Treaty in 1954. He was ambassador to the United States from 1958 to 1961. In 1961, due to the admission of Mongolia to the United Nations, Yeh was removed from the position of ambassador and recalled to Taiwan by Chiang Kai-shek. He then served as Minister without Portfolio.Zhaoshen JiangBorn in Anhui province, China and coming from a long family origin, he has been exposed to traditional poetry paintings early. In 1949, Jiang came to Taiwan to follow his studies of poetry with Pu Ru and also becoming the curator for the Taipei National Palace Museum.His pen stroke presents a sense of confidence and at ease, water ink vividly painted on and each layer rich to present a clean elegance of self original style.
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