LOT 623 清嘉庆 青花釉里红“鱼化龙”双耳瓶
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尺寸:45cm.High 来源:中国嘉德 说明:本品盘口,长粗颈收束,两侧饰双耳,肩部微折,弧腹下收,圈足露胎。口沿青花绘如意云头纹一周,器身通体绘海水云龙鲤鱼图,以青花勾勒海水鱼龙,釉里红描绘飞龙及鲤鱼。上部龙纹双角,鬃毛竖起,右爪前伸,左爪后探,躯体成弓形,腾云驾雾,矫健威武。瓶腹下端绘海浪纹饰,一尾红鲤奋力跃出水面,与龙相呼应,动感强烈。整体构图精巧,布局合理,气势恢宏,极富于立体效果。 鱼化龙是清代流行纹饰,取材于古代「鲤鱼跳龙门」的传说,据《辛氏三秦记》记载:「河津,一名『龙门』,水险不通,鱼鳖之属莫能上,上则为龙也。」黄河流经山西河津县之禹门口,亦称「龙门」,其地河床高下相迭,水深流急,鱼类很难逆流而上。传说凡能跳上龙门的大鱼,便可变化成龙,亦称「鱼化龙」。因古时科举考试场所所贡院的正门也称「龙门」,所以又指参加科举中第而声名显赫者,寓意吉祥。而本瓶所绘龙形象,须发飘散,不怒自威,特别之处在于龙爪为三爪。「三爪龙」在唐、宋、元为龙纹的主体,时至清代,三爪龙较少出现。清代御窑仿明式三爪龙始见雍正时期,如御制青花釉里红云海腾龙大天球瓶,绘三爪祥龙腾跃云气之中。揣摩此瓶纹样,当有摹古追宗之意,是对唐宋气象、蒙元帝国及永宣盛世的致敬与追摹。
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